A suite of ten small sculptures Blood on Silk: Try to hide/try to stand out, No’s 1 to 10, 2020, variable size each approximately 12 x 10 x 10(h)cm, Balsa wood, paint, found objects.

This work started as a speculation about the implications of possibly farming humans for blood plasma, whole blood and body parts. In those situations the individual producer is one of many. They are anonymous.

A documentary on how close the existing ‘donation” model of blood plasma acquisition in the USA gets to what could be called farming can be seen on https://vimeo.com/217497031 Blood Business. It is possible that large populations with limited mobility such as prison populations could be monetised in the same way.

 The other artists in the Plas Bodfa objects project were Jane Ross, Nisa Lynn Ojalvo, David Garner, Rachel Rosen, Annie Horsley, Wanda Garner, Peg McNulty and Jan Hale, Nicola Carter, Gill Collier, Sian Hughes, Shedart Studios, Gwen Williams, Michelle Heidi Sutton, Phillip J. Cassidy, Julie Jones, Anne ‘Wondercabinet’ Weshinskey, Lindsay Colbourne and Lisa Hudson, Jane Ross, Amy Sterly, Bill Chambers, Judith Samuel, Chapparral Andrew Hodges, Phillipa Brown, Rosie Green, Sezgi Abali, Cyrus Kellick, Sarah Jane Richards, Hopewell Ink, Ruth Cousins, Huw Gareth Jones, Michelle Prince, Julie Upmeyer, Nicki Cotton, Ceyda Oskay, Adele Kettlewell, Susan Cantrill-Williams, Remy Dean. Maud Haya-Baviera and Simon le Ruez, Tom Witherick, Elly Strigner, Jo Alexander and Lillemor Latham. https://www.plasbodfa.com/objects

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